Heymann Brothers Films has been operating for over a decade and specializes in long term documentary projects with a social and political orientation, as well as very personal ones. The company was founded by Tomer Heymann, one of the leading documentary directors in Israel. In 2001 he created “It Kinda Scares Me” which won the Academy Award in Israel, and other awards in Torino, Milan, New York, Taipei and Melbourne.
In 2003 his film "Aviv - Fucked Up Generation" came out commercially and brought a vast amount of viewers to the cinemas, as it correspondingly participated in many festivals worldwide.
Barak Heymann joined the "Heymann Brothers Films" company in 2003 and has since directed and produced several documentary films and series. “Heymann Brothers Films” is an independent Israeli company dedicated to the release of documentaries on the social aspect of the Israeli/Jewish culture.
Tomer Heymann was born in Kfar Yedidia in Israel in 1970 and has directed many documentary films and series in the past ten years, most of them long-term follow-ups and personal documentations. His films won major awards at different prestigious film festivals including his first film “It Kinda Scares Me”. “Paper Dolls” won three awards at the 2006 Berlin Film Festival and the audience’s award at the Los Angeles Festival. The film and TV series "Bridge over the Wadi”, co-produced with the American ITVS, won the Israeli Documentary Film competition, participated in IDFA Festival's prestigious competition and won many awards around the world. Tomer's new 8-part series "The Way Home" was recently broadcasted by the Yes Doco Channel in Israel and won the best documentary series award at the 2009 Jerusalem International Film Festival.
Tomer Heymann followed Israeli pop/world-beat band The Idan Raichel Project on their 2006 concert tour to Ethiopia and emerged with a documentary that rollicks and rocks. The film, part lighthearted road trip, part examination of multiculturalism in Israel, is a close-up ride with the young Israeli-Ethiopian-Yemenite band members, who muse on the loss of their heritage and on their excitement as tourists embracing roots in Africa. Black Over White deftly explores their cultural ambivalence and their experience of racism back home in Israel. One of the musicians is reunited with his grandmother in Addis, music is made with rural villagers and in urban clubs, and in one poignant sequence, future immigrants to Israel meet the musicians. The culminating concert—a fusion of Middle Eastern multiethnic grooves—is a success and emotional high point, but for the band members, the meaning of home remains elusive.
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